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Beställningsvara med längre leveranstid

Matthäus-Passion

Bach, Johann Sebastian

soli, kör SATB/SATB + orkester

Beställningsvara med längre leveranstid

Matthäus-Passion - Partiitur

CV 31.244/00

1 303 kr

I lager

Matthäus-Passion - Klaverutdrag - XL Large print

CV 31.244/02

348 kr

I lager

Matthäus-Passion - Klaverutdrag

CV 31.244/03

223 kr

I lager

Matthäus-Passion - Körpartitur - minst 20 ex

CV 31.244/05

144 kr

I lager

Matthäus-Passion - Blåsstämmor

CV 31.244/09

1 269 kr

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Matthäus-Passion - Coro 1: Violin 1

CV 31.244/11

178 kr

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Matthäus-Passion - Coro 1: Violin 2

CV 31.244/12

178 kr

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Matthäus-Passion - Coro 1: Viola

CV 31.244/13

178 kr

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Matthäus-Passion - Coro 1: Cello

CV 31.244/14

178 kr

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Matthäus-Passion - Coro 2: Violin 1

CV 31.244/15

178 kr

I lager

Matthäus-Passion - Coro 2: Violin 2

CV 31.244/16

178 kr

I lager

Matthäus-Passion - Coro 2: Viola

CV 31.244/17

178 kr

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Matthäus-Passion - Coro 2: Cello

CV 31.244/18

178 kr

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Matthäus-Passion - Orgel

CV 31.244/49

880 kr

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practical performing Urtext edition based on the latest state of Bach research
edited by Bach expert Klaus Hofmann
with a concise Critical Report
interpretative tips on articulation by indicating analogous places in the score

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research.

Scoring:
Soli, Coro SATB/SATB, Soprano in ripieno (Cantus-firmus-Chor für Sopran), 2 Orchester: I: 2 Blfl, 2 Fl, 2 Ob /2 Obda, 2 Obca, 2 Vl, Va, Vc/Cb, Vg, Org obl.; II: 2 Fl, 2 Ob /2 Obda, 2 Vl, Va, Vg, Vc/Cb, Org obl