The book about Daniel Börtz is part of the series of portraits of Swedish composers published by the Royal Musical Academy and Gidlund's publishing house.
Norling, Sara
316 kr
GID 965
In stock
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Publisher: Gidlund's publishing house
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Daniel börtz says in an interview in 1977: "I want to write emotionally honest music - if I can put such big words in my mouth. Give out everything I have of feeling inside." Then he is a young composer who already in a series of orchestral works in a completely unique way combined the legacy of Swedish modernism with a fierce love for Bruckner's late-romantic orchestral constructions. The public breakthrough comes when he collaborates with Ingmar Bergman in the opera Backanterna in 1991. Since then, Daniel Börtz has composed increasingly intuitively, with a focus on the big lines and with a finely calibrated sensitivity to the voice and to the values of the text. But the big emotions and existential questions are still at the center, most recently in his sixth full-length opera Medea, where he once again returns to the Greek dramas that have long fascinated him.
The book about Daniel Börtz is part of the series of portraits of Swedish composers published by the Royal Musical Academy and Gidlund's publishing house.
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